Lately, every time I turn around, my corporate clients are talking about corporate storytelling. It seems their bosses — and their bosses’ bosses — heard somewhere that storytelling is a great way to engage employees. It’s true, I say. And then we all nod our heads in agreement.
But then the other day, a new-ish corporate communications professional pulled me aside and asked, “But what exactly is corporate storytelling?” Trying to figure out what her peers were talking about, this young internal communications manager had searched the Web for examples and explanations of how to leverage storytelling in the business environment… but she had found very little.
Looks like storytelling is one of those things that everybody secretly thinks they are really good at. Unfortunately, the ability to tell stories is also one of those things that few people are really good at.
So let me take a moment (and maybe a few blog posts) to explain what corporate storytelling is — and what it isn’t. Later, in another blog post, I’ll give my 2 cents on how to find a storytelling writer, photographer, multimedia developer or whatnot and make the most of his/her talents.
First the easy part: What corporate storytelling photography ISN’T. It’s not the:
~ Execution at dawn photo, with team members lined up against a wall and “shot.”
~ Grape leaves photo. Similar to the execution at dawn photo, but here the team members have their hands clasped together in front of their groins in Adam-and-Eve-grape-leaf fashion.
~ Important person with oversized check photo.
~ Employee at work photo, where the obviously posed worker looks self conscious as he/she avoids looking at the camera.
~ Giant-scissor-yielding executive about to cut the giant ribbon photo.
Boring, right? But damaging too. A corporate Webpage, newsletter or annual report with a boring photo is worse than not having a photo at all. Why? Because the reader’s eye is drawn to the photo first. Therefore, a boring photo = boring story = boring event. Yawn.
Now the hard part… defining what a storytelling photo is. I’ll tackle that one in another posting.
P.S.: Are you wondering what’s going on in the image at the top of the post? Excellent! That’s a piece of storytelling photography. A photo should make readers look twice and study what’s going on. In this case, musicians perform among museum statues during the Wells Fargo Community Celebration event held in downtown Charlotte, NC.
You can check out the photos from this and other corporate-sponsored events at http://patrickschneider.photoshelter.com/gallery/Wells-Fargo-Community-Celebration/G0000x2v_e86hR00/C0000sLejZ1oE1sY
Many corporate communicators have shared their struggles with how to create photos that will engage their stakeholders, who might include employees, customers, shareholders and the public. This is especially challenging in today’s digital communications environment, which demands frequent updates.
They ask, “How can we keep our photos fresh and interesting, so people will come back to see what’s new?”
My advice is to throw shadows and silhouettes into your box of tools. You don’t want to do this every time you’re taking photos, but it’s good to be aware of how helpful this technique can be. Now and then, try throwing a shadow or silhouette photo into your corporate communications news cycle and see what reactions come in return.
Some suggestions for creating photos with silhouettes or shadows:
Had this photo exposed for both the juggler and the background buildings, there might have been too much activity for the eye to absorb your message. Placing the street performer in silhouette creates interesting contrast while also quickly showing readers that the performance was taking place in downtown Charlotte.
Notice how including just a bit of the footwear in the image below helps to quickly explain the unusual shape of the shadows. The goal is to make readers pause to study the image… and then jump into your text to learn more.
This next image is a partial silhouette. Notice how well the clean graphic lines of the frame and hammer offset the features of the woman, who is volunteering her time at a Habitat for Humanity build.
Getting low while shooting this silhouette eliminated background clutter (including the bunching up of the other boaters), and created an image with nice graphic elements.
Patrons at the Mint Museum of Art Uptown seem to become part of the artwork because they are captured in silhouette.
The shadow of this barbecue chef against his smoker.